Concrete is a durable and cost-effective material for
walkways, patios, and drives. While plain concrete is not
particularly attractive, there are many ways to improve its
looks: You can color it with pigment, texture it to look like
something else, or cover it with brick or stone. One of the
oldest — and best — methods for creating visually
appealing concrete surfaces is to expose the aggregate.
Aggregate is present in every concrete slab, but because it's
encased in a matrix of sand and cement it's not usually
visible. Removing the top layer of sand and cement to expose
some of the aggregate makes the surface of the concrete look a
lot better, and the process is not much more expensive than
plain gray flatwork (see Figure 1).
Figure 1
The same aggregate that is visible on top
is dispersed throughout this slab. Some of it even shows
through on the sides.
An aggregate finish is good for walks, driveways, and stairs
because it is skid-resistant and wears well. And as long as the
original aggregate is still available, the surface is easier to
repair or add on to than stamped or integrally colored
concrete.
My company specializes in patios that are a combination of
exposed aggregate concrete, brick, and stone. The masonry is
set flush to the surface of the slab and forms decorative
borders and bands. This is less expensive than building the
entire patio from brick or stone and it creates more visual
interest.
It's difficult to produce this kind of work if you have to
bring in separate subs to do it. Most of the people on my crew
started out as landscapers but have been trained to do masonry
and concrete, which makes it easier to coordinate the work
because we can do it with a single crew. Most of our jobs are
in existing neighborhoods, so it helps that we can do enough
landscaping to repair the yard at the end of a job.
Aggregate
The size and type of aggregate determines the look and color of
the finished slab (Figure 2). It's expensive to transport heavy
material, so aggregate is usually made from locally available
stone. We're located in the St. Louis area; our concrete
supplier carries a few types of local stone that look good and
are hard enough to be exposed. We can get a white or a slightly
darker glacial rock from Illinois or we can get a brown shiny
gravel that comes from the Meramec River. Different types of
aggregate are available in other parts of the country.
Figure 2.The author makes samples containing
different types of aggregate for potential
customers.
Our local stone is cheap enough to use throughout the mix, so
it's spread through the entire slab. If you expose the
aggregate, this is the stone you will see. But it's also
possible to throw a thin layer of aggregate onto the freshly
placed concrete and float it into the surface. This is called
seeding and it's the method we used when I was first starting
out. Seeding allows you to use inexpensive aggregate in the mix
and put the exotic aggregate on top where it will show.
These days, no one seeds unless they're using an expensive
decorative aggregate. We avoid seeding because it's hard to put
the stone on evenly, it adds another step to the process, and
it requires extra labor. If you can buy a reasonably priced
aggregate, it's simpler and less expensive to put it in the
mix.
Size. Some contractors like
to use normal size (3/4-inch to 1 1/2-inch) stone when doing an
exposed aggregate finish. I don't like doing this because if
the concrete is a little too wet, you can end up with areas
where there is visibly more cement than aggregate. This can
happen anytime you place concrete, but it's noticeable with an
aggregate finish.
We prefer to use a smaller size stone. Our local brown river
stone is available as regular size aggregate or as a smaller
size called Meramec torpedo. They're the same type of stone but
the torpedo has been passed through a finer screen. It's small
and very consistent in size, so it produces a smooth, uniform
surface.
The mix. Concrete contains
water, portland cement, graded aggregate, and sand.
Technically, the sand is just a finer type of aggregate. The
cement, water, and sand form a paste that fills voids and binds
the aggregate together. Around here, most contractors use a
four- to five-sack mix (four to five 90-pound bags of cement
per yard of concrete) for residential flatwork. When we do an
aggregate finish, we use a six- to six-and-a-half-sack mix and
a little less sand. Reducing the sand makes the pebbles stand
out more on the surface, while the extra cement makes for a
stronger slab.
Placing the Slab
Prepping for an exposed aggregate slab is the same as prepping
for any kind of concrete. Depending on the grade, drainage, and
soil conditions, we may or may not put a layer of stone under
the slab. In some cases, the stone will be an added expense
that does nothing to increase the quality of the job. But most
of the time it's necessary to used crushed limestone to level
the grade.
Formwork. Most of the patios
we build have curved outer edges. We form them with 1/4-inch
tempered Masonite because it's easy to bend (Figure 3). For
straight edges, we use 1x4s. We hold the forms in position by
nailing them to wooden stakes. The top edge of the form
functions as a screed strip, so we set its elevation with an
optical level.
Figure 3This walk was formed with 1/4-inch
Masonite. The cedar crossmembers function as expansion joints
but will also be left in place as a decorative
element.
We used to rip our own Masonite and cut stakes from 1-by
lumber, but we found it was less expensive to pay a supplier to
do it. The stakes come 3,000 to a pallet and the strips of
Masonite are 2 7/8 inches wide. We settled on a single width
because it's less complicated than keeping various sizes
around. There's no chance of running out of a certain size or
having someone bring the wrong size to the job. The stakes and
the Masonite are cheap enough to throw away after a single
use.
Figure 4.
Inset masonry creates visual interest by
breaking up what would otherwise be a monotonous expanse of a
single material.
Most of our patios are bordered and inlayed with brick or
limestone bands (Figure 4). Parts of the slab must be lowered
to accommodate the inset material, and the 27/8-inch strips are
a good height for forming the drops (Figure 5). Brick is about
2 5/8 inches thick, so a 2 7/8-inch drop leaves room for a
1/4-inch bed of mortar. The limestone is around 2 1/4 inches
thick, so it gets a thicker bed. If the edge needs to be
thicker, we either double up the hardboard Masonite strips or
allow some of the concrete to ooze beneath the bottom edge. The
rough edge won't be visible, because it gets buried when the
yard is landscaped.
Figure 5.The edge of this slab was formed to
accept a brick head course. There was too much concrete to pour
and finish in a single day, so the crew stopped at a
joint.
Reinforcing. Slabs are
typically reinforced with 6-by-6-inch wire mesh; in some cases
we will add #4 rebar. If the grade falls off badly, we dig
holes for piers and cast a hidden grade beam to retain the fill
below the slab. Narrow walkways don't need reinforcing.
Control joints. Unless the
slab is very small, it should have control or expansion joints
to prevent it from cracking. Some contractors will pour areas
up to 15 feet square without using control joints. We don't
like to go bigger than 10 feet square without a joint. We avoid
slabs smaller than 5 feet square because they're more likely to
shift.
There are many ways to create expansion joints. Sometimes we'll
break up an area by casting 1x4 cedar boards into the slab
(Figure 6). The cedar is set flush to the top of the forms,
held in position with nails. It gets used as a screed strip
when the concrete is placed and becomes a part of the design
when the slab is finished.
Figure 6.These cedar control joints divide the
slab into sections that can be poured one at a
time.
Control joints can also be made by kerfing the slab when it's
partially cured or by pouring the concrete around a plastic or
compressed fiber joint. The plastic is not very attractive, but
it's a good choice around pools because it can stand up to the
constant wetting. Fiberboard, on the other hand, is ugly and
rots a lot faster than wood. It's typically used for commercial
work and is covered by caulking the joint.
Cedar looks the best and holds up well as long as it remains
tightly wedged in place. I've seen strips that look fine after
20 years, but if the concrete shifts, the cedar can rot out in
four or five years. At that point, a repair can be made by
inserting a new strip, shimming it tight to one side, and
filling the remaining space with cement grout.