I've spent most of my architectural career in conventional
residential design, but for the past few years I've been
concentrating on two types of factory-built housing. Working on
affordable housing has given me a new respect for those
builders and designers who try to make architecture on a budget
that might seem to call for an oversized refrigerator carton.
Here are a few tips I've picked up to make low-cost homes look
better without busting the budget.
Figure 1.This plain house is an economical starter
home for a "colonia" in South Texas. Just by steepening the
front and back roof pitches, you add a certain dignity to the
house that's lacking in the version with the 5-in-12 roof slope
on all four sides.
Rooflines
The pitch, overhangs, and detailing of the roof can make a
house look cheap or classy. There's nothing wrong with
low-slope roofs (Frank Lloyd Wright used them extensively), but
coupled with spare detailing and short overhangs, low slopes
spell "cheap" to most buyers. Here's a trick we developed for
low-cost homes in Brownsville, Texas (see Figure 1). The
designer of this 27x32-foot house naturally used the same
5-in-12 slope on all four sides of the hipped roof, resulting
in a very plain house -- though still a nice upgrade for
someone who'd been living in a shack without plumbing. But
steepening the end slopes to 30 degrees (the max allowed under
the wind code) made the home more imposing when looked at from
the entry end. A side benefit was a longer main ridge,
increasing the stretch of an easy-to-frame gable roof from 5
feet to 16 feet and allowing many more sheets of OSB to be laid
without diagonal cuts. Two downsides of this design are more
complex angle cuts at the hips and a shorter overhang on the
steeper roof (the hip beam has to run over the corner to align
the fascia and wall height).
Another roof trick comes from my own 1929 two-story box of a
house, which is exactly 24 feet square with a 5-in-12 roof
pitch (plus various appendages on the first floor). The lower
roof that creates the distinctive-looking "gambrel" shown in
Figure 2 is just tacked on to the basic box. The front addition
picks up the false roof and makes both roofs look more
substantial (don't copy the expensive shingled, segmented
arches if you're on a tight budget!).
Figure 2.A view of the right side of the house
showing the false gambrel, as well as the addition that picks
up the gambrel roofline. The arched porch is just visible
behind the one-car garage addition that houses a guest bedroom
and bath.
A favorite roof detail of my colleague Bill Zoeller terminates
the eaves at a gable end in an elegant and cost-effective way
(see "A Simple,
Stylish Cornice Return," 1/02, for a more expensive
approach). He simply turns the gutter around the corner and
then turns it again to cap it off. The gutter looks like a
traditional molding, and the overall effect is classic -- and
inexpensive. This detail will work with any gutter, although a
gutter with a traditional cross-section looks more authentic on
a traditionally styled design (Figure 3).
Figure 3.The fascia is returned (left), then the
gutter is wrapped around the return with two outside corners
and capped off at the house wall (right). The fascia return
stands out whatever dimension is needed to allow room for the
gutter corner piece and the cap. The drawing above also shows a
bed molding under the eaves, which adds a lot to the design if
the budget allows it.
Bay Windows
When you want to enliven a boring wall, a bay window is an
obvious solution. Andersen and other window manufacturers have
long made packaged bays, but I don't particularly like their
looks. Bays need to have three sides, either rectangular (which
creates a terrific window seat that you can sleep on if it's
large enough) or angled at 30 or 45 degrees. There is no reason
that a substantial rectangular two-story bay can't be hung off
the side of a home like a prefabricated design can, providing
it's properly engineered (Figure 4). You can use the sidewalls
as brackets, or hang it from the top -- anything that works
with the design and doesn't add much cost. You can prefabricate
the whole thing on the ground if you have a cherry picker handy
to lift it into place.

Figure 4.This admittedly undistinguished facade,
typical of the two-story modulars that are popping up in the
author's part of Connecticut, looks much better with a hanging
bay. Make it wide enough to lie down in, maybe use a single
slider rather than two double-hungs (it might be cheaper); and
let the rest of the windows in the sidewall land wherever they
work best for laying out furniture. The bay turns a box into a
home and could also turn a sale.
It's important to keep the foundation straight, to avoid the
cost of four corners when the foundation follows the bay. On
level ground, you should hold the floor up at seating height to
maintain at least 18 inches between the ground and the floor
framing. If the ground drops off under the bay and the framing
runs perpendicular to the foundation, you can avoid engineering
a hanging bay by extending the floor framing and building the
bay conventionally, while still saving on foundation offsets.
But if the framing runs parallel to the foundation, hanging the
bay avoids messing up the framing to tie back the cantilevered
floor joists.
Gordon Tully is a senior architect with Steven
Winter Associates, Inc., in Norwalk, Conn., and the longtime
author of JLC
's "Building With Style" column.