During a vacation to Italy several years ago, I was impressed
by the intricate vaulted and domed ceilings in the churches of
Rome, particularly the coffered dome of the Pantheon, built by
the Romans around 126 A.D. I figured if the ancient Romans
could build such a spectacular structure with the simple tools
of their time, then I could too. So, back home, I decided to
build a domed ceiling with elliptical rafters in the center of
a 16-foot-by-25-foot family-room addition to my own home.
Framing the Opening
I would have preferred a deeper dome but didn’t have room
overhead: Because the addition — an ell off the back of
the house — was only 16 feet wide, I was limited to a
roof pitch of 6/12. I settled on a diameter of 9 feet and a
height of 2 feet measured from the bottom of the ceiling joists
to the bottom of the collar ties.
I doubled the joists at each end of the dome area and added
perpendicular double 2x12 headers to create a 10-foot-square
opening (1). Because I had interrupted the
continuous ceiling joists, I bolted 2x6 collar ties to the
rafters above, to make sure the wall plates wouldn’t
spread. Next, to create an octagon — the beginnings of a
rough circle — I nailed 2x12s at a 45-degree angle at the
corners. I then added a second member, a 2x12 ripped to 10 1/2
inches, on all eight sides. The step-up created by the narrower
framing members would accept a 3/4-inch plywood ring that would
turn the octagon into an accurate circle (2).
Nailed to the bottom of the 10 1/2-inch members, the plywood
would be flush with the bottom of the joists. A second plywood
ring would go on top, sandwiching short sections of blocking to
create a sturdy platform to support the dome rafters.


I used a router attached to a trammel arm to cut the plywood
arcs (3), taking two passes through the 3/4
CDX with a 1/4-inch spiral bit. I installed the top layer of
plywood first, using construction adhesive and nails and
carefully aligning the sections to form the circle. I made the
plywood sections wide enough to catch the tops of two joists
along the sides, which added strength to the assembly.
Once the top plywood ring was in place, I used it as a guide to
cut the blocks, which were ripped to 10 1/2 inches wide
(4). I placed a block at the midpoint of each
side of the octagon, then filled in at about 16 inches on
center, for a total of 24 blocks. The length of the blocks
varied slightly depending on where they landed in the circle. I
beveled the ends of some of them so the inside edge was tangent
to the circle.
After gluing and toenailing the blocks to the framing, I added
the bottom plywood sections to finish the
“sandwich,” trimming the edges as needed to fit
into the 3/4-inch step-up around the edge of the octagon. I
glued and nailed the plywood in place, making sure as I went
that the top and bottom circular edges were in perfect
alignment (5).
Finally, to complete the circle, I ripped 3/8-inch ACX plywood
to the height of the sandwich (12 inches) and glued and nailed
it to the blocking ends. The plywood was flexible enough to
bend in place; I applied two layers, making sure to offset the
seams.
Elliptical Rafters
The next step was to lay out and cut the rafters. I decided to
make the dome elliptical because it would look more interesting
than a simple arc. I considered setting the bottoms of the
rafters on top of the plywood sandwich assembly, which I
figured would provide better support. But because this would
limit the depth of the dome, I decided instead to toenail the
bottom of the rafters to the sides of the assembly.
To keep construction simple, I went with 24 rafters to match
the number of blocks around the perimeter. Trying to jam 24
rafter ends together at the peak of the dome would have been a
headache, so I built a hub — like the hub of a wagon
wheel — to catch the tops of the rafter ends
(6). I used the router trammel to cut two
12-inch plywood circles, then nailed short “studs”
as close together as possible between them. The finished height
of the hub was about 8 inches. I screwed the assembly to a
piece of plywood located between the collar ties at the center
of the dome.

To lay out the elliptical rafters, I used the tried-and-true
wire-and-nail method (see “Simple Interior Arches,”
2/93), first tracing the ellipse on scrap plywood using the
full diameter of the dome as a starting dimension. Working with
the plywood template, I adjusted the dimensions as needed. I
made the top of the rafter 6 inches wide so that the hub would
hang down an additional 2 inches, to allow for the thickness of
the plaster and to create a flat spot for a center medallion. I
subtracted the diameter of the hub to get the final rafter
length, and when I was satisfied with the fit, I traced the 24
rafters onto 2x12 stock and then cut them out with a
jigsaw.
I toenailed the tops of the rafters into the studs of the hub
and the bottoms into the ends of the 2x12 blocks, nailing
through the double layer of 3/8-inch plywood
(7). The bottoms of the rafters ended up 2
inches above the bottoms of the ceiling joists; this left room
for a low-voltage xenon lighting system to be added
later.
Finish
Plaster was the logical finish for the curved surface of the
dome. The plasterer bent metal lath to the contours of the
rafters and nailed it up with galvanized roofing nails. He
applied a base coat of gypsum plaster followed by a smooth
finish coat (8). The entire application took
less than a day and turned out great.
I thought about making my own moldings to finish off the dome
by bending various materials around the circular opening. In
the end, though, I farmed the job out to a local woodworking
shop. I assembled the molding profiles on the floor
(9), then lifted the entire assembly into
place (10). I had already drywalled the
ceiling at this point, so I used construction adhesive and
3-inch screws driven into the blocking to attach the molding
ring.
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I looked at medallions in catalogs, but since I had the trammel
handy I made my own simple version: I cut an 18-inch-diameter
ring and a 6-inch circle out of MDF and routed the edges. I
nailed the ring to the hub, plastered the inside, and nailed
the smaller circle in the middle of the ring. A leftover stair
finial completed the woodwork (11).
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Overall, I was pleased with the finished dome, though in
hindsight I might have made it a foot or so smaller in
diameter. I sprayed the trim ring with an alkyd primer and
satin top coat, but I left the plaster unfinished in hopes of
someday finding a budding Michelangelo willing to paint an
inexpensive Roman fresco.
Paul MacDuff is a retired renovation contractor in
Seattle.