By Robert Gerloff,
AIA
Roof trusses have almost completely replaced hand-framing in
residential remodeling, and for good reason: Framing a roof
with trusses saves money. There's simply no way a crew of
carpenters working on site and being billed at $50 per hour --
no matter how skilled or efficient they might be -- can compete
on cost with factory-built trusses dropped into place by a
crane.
Design thinking, however, has not kept pace with construction
technology. Although modern computer-designed trusses permit
almost unlimited variation, too many trussed roofs are
straightforward and boring when a more satisfying effect would
have been possible for little added cost.
The new owners of this existing
one-story, one-bedroom cottage wanted to add a second-story
addition to accommodate a growing family. Home equity lines of
credit and rapidly escalating property values make this type of
project increasingly common in many established
neighborhoods.
The remodeling project pictured here, for example, involved a
tiny one-bedroom cottage in a very desirable neighborhood (see
Figure 1). The owners, recently married and anticipating a
growing family, wanted to add a second story with three
bedrooms and a bath and expand the kitchen on the main
level.
The most economical way to accomplish that would have been to
raise the walls to accommodate a second story topped off with a
low-pitched truss roof (Figure 2). But visually that approach
would leave a lot to be desired. Rather than fitting in with
the surrounding houses in the older neighborhood, the resulting
structure would look like a boxy prefab airlifted in from the
outer suburbs.
Figure 2.Extending the first-floor walls and
adding a standard 4/12-pitch roof truss with an 8-foot flat
ceiling provide the needed space at the lowest possible cost,
but the result is visually awkward and out of
place.
One Roof, Two Truss Profiles
Instead, taking our key cue from the neighborhood, we worked
out a design that includes a steep roof with dormers, giving
the house a more cottage-like look. And while it looks
hand-framed, it was actually easy to achieve with
trusses.
There are two different truss profiles: The first is a steeply
pitched scissors truss over the bedrooms, which starts low
before soaring to an unexpected 10-foot ceiling. The roof over
the stairs, hallway, and bathroom makes use of a second, more
conventional truss with a flat bottom chord and two separate
pitches to create the shed-roof look (Figure
3).
Figure 3.A little more money can buy a 13/12 roof
with bedroom ceilings that start at 5 feet 6 inches before
soaring to 10 feet (above left). The low spring line at the
eaves creates a feeling of intimacy, while the high ceiling in
the rest of the room adds flair. The lower 7-foot-6-inch
ceilings created by the second truss configuration over the
bathroom, stairs, and hall -- which combines an upper 13/12
pitch with a lower pitch of 4/12 -- make the bedrooms feel
grand (above right).
CAD a Key Tool
The key to mixing truss profiles is coordination. Computer
drawings allowed us to accurately calculate plate and heel
heights and confirm that the roof plane will be continuous from
front to back across the different truss profiles.
The cottage look is further accented by switching siding on
the new second story from a horizontal lap siding to a vertical
board-on-board. We also switched colors to accent the design
and added some appropriate shutters, window boxes, and
brackets, all accented with a separate paint color (Figure
4).
Figure 4.With the addition of some appropriate
details, a potentially uninteresting box becomes a simple but
attractive cottage that fits in well with the surrounding
neighborhood.
These details definitely add to the overall cost of the
project, but the key component -- the trusses -- is still much
less expensive than hand-framing the same design would be. For
the extra money, the clients get a house that fits into the
neighborhood and has its own curb appeal and charm.
Robert Gerloff, AIA,is an architect and writer in
Minneapolis, Minn